DAWN OF THE PLANET OF THE APES (2014 - SCI-FI / ACTION / THRILLER) **** out of ***** OR 8 out of 10
(Further proof that the world is going to the
monkeys...)
CAST:
Gary Oldman, Andy Serkis, Jason Clarke, Keri Russell, Toby Kebbell, Kodi
Smit-McPhee, Nick Thurston, Terry Notary.
DIRECTOR:
Matt Reeves
WARNING:
Some SPOILERS and more reasons to both fear and embrace the simians -
straight ahead....
IT'S LIKE THIS:
In 2011, we reviewed RISE OF THE PLANET OF THE APES (review # 409). In that awesome flick we followed Dr. Will
Rodman (James Franco), as he tried to find a cure for Alzheimer's by testing an
experimental drug on some lab apes, including his special pet ape, Caesar (Andy
Serkis). If you'll recall Dr. Susan
McAlester (Saffron Burrows) tried to do the same thing in DEEP BLUE SEA (review
# 144) - except her test subjects were, um, genetically-enhanced vicious mako
sharks. Anyone who saw DEEP BLUE SEA
knew that Dr. McAlester's fiddling around with mother nature ended badly when
said souped-up mako sharks developed human-level analytical skills and
proceeded to decimate the good doc's team.
And anyone who saw RISE OF THE PLANET OF THE APES
knows the same thing happened - but even worse: not only did the test apes
become super-smart (for apes), but a deadly virus from Dr. Will's lab also got
out into the open and began spreading like wildfire throughout the world. I should also add the apes were immune to the
virus, and with their numbers growing and humans the world over all getting
sick, it was fair to say the balance of power between us and them was about to
shift considerably.
Flash forward to 2014 (well, in the movie it's
actually 2026), and we find ourselves in DAWN OF THE PLANET OF THE APES -
approximately 15 years after the apes first went Mensa on our asses and the
Simian Flu decimated said asses. The
human population of the Earth is extremely small and is living a hard-scrabble,
hand-to-mouth existence. The one sliver
of good news is the survivors have developed an immunity to the Simian Flu that
wiped out 95% of the world. The huge-ass
chunk of bad news is the super-apes (still led by Caesar who is still played by
Andy Serkis) have multiplied considerably.
Yes, folks, in case you were still thinking the decks were stacked in
favor of the humans, allow the sight of thousands of apes rampaging through the
redwoods of Northern California to be your much-needed wake-up call.
This spells bad news for the human colony in what
is left of San Francisco, led by the de facto leader, Dreyfus (Gary
Oldman). Dreyfus wants to try to restore
power to at least part of the city to keep his survivors from descending into
anarchy. Unfortunately, he is told by
his lead scientist, Malcolm (Jason Clarke), that in order to get the grid going
again, they have to try to fix a geothermal dam across the Golden Gate bridge
which is also deep in - wait for it - the redwood forests. Do you see where this is going?
Sure enough, during a scouting mission with his
team, Malcolm encounters top ape Caesar, his rage-filled second-in-command Koba
(Toby Kebell), Caesar's impressionable teenage son Blue Eyes (Nick Thurston),
and a whole forest-load of other apes.
Even though Koba wants nothing more than to reduce the humans to crimson
stains on the ground, the more peacable and strategic Caesar asserts his
dominance and allows them to leave. Koba
is none-too-pleased about Caesar putting him in place, and if his secret glares
are any indication, this is not the end of the discussion - not even
close.
Back in the shithole that used to be San
Francisco, Malcolm and his hottie partner, Ellie (Keri Russell) convince
Dreyfus not to send in armed troops to wipe out the apes because Malcolm thinks
he can appeal to Caesar to let them fix the dam without any bloodshed. Dreyfus is clearly eager to get his trigger
on, but gives Malcolm and Ellie a few days to pull off their plan - and if there
are still no results by then, he's going to wipe out all them damn dirty apes
clogging up the redwoods.
Malcolm, Ellie, Malcolm's son Alexander (Kodi
Smit-McPhee), the loathsome Carver (Kirk Acevedo), and a few others head across
the bridge and into the woods to negotiate with Caesar. Will they succeed? Will Caesaw allow them access to the dam in
the middle of his ape colony? Why should
he help these humans whose own kind abused and mistreated him in the last film? And even if Caesar works with the humans, how
can he be sure that the volatile Koba won't fuck up everything? And whose side will Blue Eyes choose? His dad's?
Or Koba's? Can the redwoods, er,
San Francisco, er, the Planet be saved?
Will all this monkey business finally end?
Four words: don't bet on it.
BUT SERIOUSLY:
Summer 2014 has been a season of good-to-excellent sequels. We were first greeted by the thoroughly
engaging likes of CAPTAIN AMERICA: THE WINTER SOLDIER and THE AMAZING SPIDERMAN
2 in early summer. Then, mid-summer
brought us HOW TO TRAIN YOUR DRAGON 2, THE PURGE 2: ANARCHY, and 22 JUMP
STREET. Now, we have the very worthy
follow-up to the great "Planet of the Apes" reboot, RISE OF THE
PLANET OF THE APES, from 2011. As with
the other solid sequels this summer, DAWN OF THE PLANET OF THE APES carries the
themes from the first movies - and then uses them as a springboard to branch
off down new paths.
What made the emotional center of RISE OF THE
PLANET OF THE APES was the relationship between Andy and his caretaker, Dr.
Will Rodman (James Franco). The scene
towards the end of the movie where they had to part was easily the film's most
powerful moment. While the story ended
on a decidedly bleak note (the virus spreading across the world) it was also an
exciting one that promised more of Caesar and his developing role of Ape Leader
in future films. DAWN OF THE PLANET OF
THE APES resoundingly delivers on that promise.
Whereas the human-ape connection between Will and
Caesar was the heart of the first film, the core this time is Caesar's
relationship with his own ape tribe, to include his treacherous number two,
Koba, and his rebellious son, Blue Eyes.
Andy Serkin is just as terrific here playing Caesar, as he was in the
first film. Toby Kebbell and Nick
Thurston hold their own as Koba and Blue Eyes, and their relationships with
Caesar is the engine that powers DAWN OF THE PLANET OF THE APES, more so than
Caesar's interactions with the humans led by Malcolm and Ellie.
Speaking of the humans, they take a bit of a backseat to the apes and, just like in the first movie (and just like their ape counterparts), are a mix of the noble and idealistic (Malcolm, Ellie, Alexander), the conflicted (Dreyfus), and the downright malicious (Carver). As the lead couple of Malcolm and Ellie, Jason Clarke and Keri Russell prove to be just a tad less dynamic and vivid than James Franco and Freida Pinto from the first film, but they get the job done reasonably well. Kirk Acevedo is appropriately hissable as the slimy, underhanded Carver - who sees the apes as all the same: the enemy. The versatile Gary Oldman, on the other hand, gives us a more nuanced villain - one who clearly was a very different man before the virus decimated the Earth, and now must adapt to his new environment and become ruthless to keep the peace.
Speaking of the humans, they take a bit of a backseat to the apes and, just like in the first movie (and just like their ape counterparts), are a mix of the noble and idealistic (Malcolm, Ellie, Alexander), the conflicted (Dreyfus), and the downright malicious (Carver). As the lead couple of Malcolm and Ellie, Jason Clarke and Keri Russell prove to be just a tad less dynamic and vivid than James Franco and Freida Pinto from the first film, but they get the job done reasonably well. Kirk Acevedo is appropriately hissable as the slimy, underhanded Carver - who sees the apes as all the same: the enemy. The versatile Gary Oldman, on the other hand, gives us a more nuanced villain - one who clearly was a very different man before the virus decimated the Earth, and now must adapt to his new environment and become ruthless to keep the peace.
Ultimately, though, this film belongs to the
apes. We spend just as much time among
them as we do with the human characters - perhaps even more. The beginnings of a hierarchy and social system that we saw in
RISE OF THE PLANET OF THE APES takes full bloom here, and its clear that Matt
Reeves and his writers intend not to show that the apes are better than humans
or vice vera. Rather, they are exactly
like each other: both groups have heroism and courage, sacrifice and kindness,
villainy and treachery, simplicity and complexity. The characters like Caesar, Blue Eyes,
Malcolm, Ellie, and Alexander who recognize this are the ones best-equipped to
survive the crisis. The ones like Koba,
Carver, and Dreyfus who don't are the ones who are not.
In the end, DAWN OF THE PLANET OF THE APES
wonderfully grows the seeds planted in RISE OF THE PLANET OF THE APES three
years ago. We can't wait for the next
installment in the APES saga. If this
trend continues, it will be awesome.