MOVIE RATING SCALE:

***** (Spectacular) 10

****1/2 (Excellent) 9

**** (Very Good) 8

***1/2 (Good) 7

*** (Above Average) 6

**1/2 (Average) 5

** (Below Average) 4

*1/2 (Mediocre) 3

* (Awful) 2

1/2 (Abysmal) 1

0 (Worthless) 0


Thursday, October 2, 2014

# 562 - THE BLAIR WITCH PROJECT


THE BLAIR WITCH PROJECT (1999 - HORROR / FOUND FOOTAGE FLICK) **1/2 out of *****  OR  5 out of 10


(Next time, just do you research in a library.  Assholes...)


CAST:  Heather Donahue, Joshua Leonard, Michael Williams


DIRECTOR:  Eduardo Sanchez, Daniel Myrick.



IT'S LIKE THIS:  One of my favorite things to do is camping and hiking in the woods.  There's just something about traipsing along pristine mountain paths, surrounded by towering trees and the sounds of the forest that is both primal and pure at the same time.  It's like an oasis of calm and simplicity where one can release all the silly complexities and headache-inducing technologies of the modern world and, you know, just be one with the world as Nature intended.


Unless, of course, we're talking about the particular patch of woods that our next review takes place in.  In which case, the only place I'll be camping and hiking is the parking lot of my local Shopping Mall.  Any place that is filled with concrete and firmly located in the middle of a bustling metropolis.   You see, our next review is the infamous flick from 1999 called THE BLAIR WITCH PROJECT, which purports to tell us what happened to three exceptionally stupid college students who went into the Maryland woods to film a documentary on a local urban legend - only to disappear from the face of the fucking Earth. 


I used the term "infamous" because the viral marketing (the first major one ever) for this flick made it sound like the movie was actual found footage recovered by a search party looking for the supposedly real-life missing students.  In other words, supposedly THE BLAIR WITCH was 100% factual.   Naturally, word spread like wild fire that this "movie" was essentially the recorded last few days of three jackholes who obviously ran into some foul play.  By the time it came out that the goddamned thing was about as real as FRIDAY THE 13TH PART 8 - JASON TAKES MANHATTAN, the movie had already crossed $100 million at the box office or something.  Whatever it takes to get asses into theater seats, I guess....


Anyhow, now that we've established THE BLAIR WITCH PROJECT is not, er, factual, let's discuss the three morons at its center.  First, we have Heather (Heather Donahue), bitchy control freak who saunters around acting like her documentary on some mythical crone called "The Blair Witch" is Oscar-level material, and is just begging to be smacked with a blunt object.  Next, we have Josh (Joshua Leonard), dude who always looks so utterly stoned and yet somehow is also Heather's trusted right hand cameraman, which calls into question her judgement (among many other things that call into question her judgement - more on that later).  And, lastly, there's Mike (Michael Williams), new arrival to the crew who records the sound for Heather's stupid little witch project.  The only sound he should be recording is his own voice, telling Heather and Josh to fuck right off and go into the woods themselves. 


Our trio of dumb shits start the project by traveling to the rural Maryland burg called Burkitsville, which apparently borders the woods haunted by the Blair Bitch, er, Witch.  Heather, Josh, and Mike interview a bunch of townsfolks who give them accounts that vary in length and eloquence but all essentially say the same general thing, which goes a little something like "If you three idiotic fuck-tards go into them thar woods, you ain't never coming out of 'em ever again - 'cause that witchy-bitchy Blair Ho is going to cornhole y'all somethin' fierce."  Or something like that. 


Now, folks, I'm pretty adventurous - but there is a difference between "adventurous" and "stupid."  And if a whole town-ful of folks told me not to go into them thar woods to record a movie on a cranky bitch who would most likely keep me there forever, I think we can safely say that I'm going back to the closest major city and staying there.   Our three soon-to-be-missing nitwits, however, are of a different mind.  And I use that last word very reluctantly.  Actually, maybe we can just chalk this whole affair up to "Natural Selection."


Sure enough, Heather, Josh, and Mike have barely been in the woods a day, when they start having issues.  Specifically, they're lost as fuck among them thar trees - and the map that Heather brought with her is apparently as effective in getting them un-lost as a condom full of pinholes is in preventing unwanted pregnancy.  Furthermore, at night when they are holed up in their tent, they can hear what sounds like a Mariachi band stomping its way through the wilderness.  Then, as if that wasn't disconcerting enough, they start finding stick figures hanging from the trees - like, a whole shitload lot of stick figures.   Like someone's supremely bizarro version of a dreamcatcher.  Yes, folks, I would say our three "protagonists" are officially fucked. 


So... what is stalking Heather, Josh, and Mike through the woods?  Is it the Blair Witch who is angry at them for trespassing on her turf?  One of the townspeople trying to pull a joke on them?  Or something else?  Possibly...  their acting coaches? 


Snap. 




BUT SERIOUSLY:  Quite frankly, THE BLAIR WITCH PROJECT is one of the most overrated films ever.  Put simply, this film benefited from a very clever, practically dishonest viral marketing campaign that made it seem as if we were watching the real-life fates of three missing persons.  There  was even a website, if I recall correctly, with police reports and missing persons files that were ultimately fake. If a film tells you that you are watching the genuine recorded last days of three people before they inexplicably disappeared in the woods, then everything onscreen, no matter how mundane and dull, is going to be charged with tension because you think the people involved are moving inexorably towards their genuine doom. 


However, if you know a horror film isn't real, then you have only its technical merits and characters to get you "scared."  On that score, THE BLAIR WITCH PROJECT is barely passable.  Despite all the inexplicably positive reviews this film has received, which I'm sure had to have been from the people and critics who first viewed the film when it was still being passed off as "real", the fact remains that this film is just an average experience.  You have to be able to separate the film from the hype, and THE BLAIR WITCH PROJECT doesn't stand well on its own without all its "hot air."  There are those who think that this film "cheated" to get the momentum it needed at the box-office.  I can say for certain it would not have grossed over $130 million if the distributors had used a more honest, straightforward marketing that didn't pretend the film was actual found footage.   The sad thing is this film is regarded as one of the most successful independent films ever, despite not really deserving it. 


That's not to say that there aren't some pockets of creepiness here and there or a few positive elements about it.  Heather Donahue, Michael Williams, and Joshua Leonard as the three leads are natural and likable, since they are basically playing themselves, and their early interactions with the townfolk of Burkitsville, particularly a segment in a cemetery, has a certain foreboding.  Once they're in the woods, however, things get tedious and repetitive as Heather, Mike, and Josh simply literally walk around in circles and just yell at each other in an attempt to show them slowly losing control of their situation.  The same improv technique that directors Eduardo Sanchez and Daniel Myrick allowed their players to use which resulted in natural, occassionally engaging exchanges in the early going, is the same thing that eventually bites them in the ass later on because it just meanders on and on until tension is dissipated.  Better to have used an actual written script to help shape the atmosphere and curtail the excess emoting that is often a downside of improv. 


Also, the sound design of this film is simply mediocre.  In the scenes where the threesome are holed up in their tents, listening in "terror" to the "footsteps" surrounding their camp outside, we can barely hear anything except a few twigs snapping here and there.  Which makes us wonder what the hell the big deal is.  To see another found footage film that handles the exact same sequence in the right way, see WILLOW CREEK  - which was released on VOD and DVD this year and centers on a couple researching the Bigfoot legend in the woods of Northern California, only to encounter much more than they bargained for.  That film is the movie that THE BLAIR WITCH PROJECT tried to be. 


The movie's only other saving grace (aside from the likability of its leads and some well-handled early scenes) is the last ten minutes which manages to actually be scary and surprising.  The final shot is also very clever and will make sense to anyone who paid attention to the particulars of the Blair Witch legend that the townspeople shared earlier with Heather, Mike, and Josh.  Unfortunately, though, it comes way too late - and it's not enough to overcome the tedium of the rest of the film. 


In the end, THE BLAIR WITCH PROJECT is just not that good of a film.   It gets a passing grade because of some decent elements, but really only benefits from a marketing campaign that was essentially a hoax.  While this film is rightly considered the one that started the whole Found Footage trend, the movie that actually truly set the bar for Found Footage movies is PARANORMAL ACTIVITY (2007), which is much better than THE BLAIR WITCH PROJECT.  Sometimes, just because something came before the rest, doesn't mean its the best - or even good.